THE DISCREPANCY // 046
Reports describe a previously unsmiling or less smiling Mona Lisa. Some observers describe the expression as a reversal after an earlier check. The Louvre’s reference portrait and description provide today’s comparison; the reported sequence is not a verified alteration record.
⌁
A tiny label reads 711 / 1911. A room and a disappearance share the margin.
RECALL THE WHOLE FACE
Describe the mouth before opening the image, then record how you viewed it. A small print, screen reproduction and visit to the painting are different viewing conditions. Keep the image source and crop with the comparison rather than treating every reproduction as identical.
THE RETURN PEOPLE REPORT
A reverse account adds a second recollection: the observer remembers checking an unsmiling version before seeing a smile again. The linked discussion records that claim. The useful trail would retain the earlier identifiable image, its date and the later comparison. What survived from the interval when the expression felt different?
Keep your first version
Record the detail before opening a reference. Keep the exact object, release or edition with your comparison. A first recollection and a later discovery can be followed as separate traces.
FOLLOW THE SOURCES
Reference material for this particular object, wording or version.
Independent report or context; compare its role with the source reference above.